{"id":302,"date":"2012-05-26T16:57:27","date_gmt":"2012-05-26T16:57:27","guid":{"rendered":"http:\/\/johnschroder.co.uk\/js\/?page_id=302"},"modified":"2012-06-11T17:04:45","modified_gmt":"2012-06-11T17:04:45","slug":"conductor-quotes","status":"publish","type":"page","link":"https:\/\/johnschroder.co.uk\/js\/conductor-quotes\/","title":{"rendered":"Conductor quotes"},"content":{"rendered":"<h2>Quotes from Conductors in CBSO rehearsals<\/h2>\n<div style=\"padding: 1em; font-size: 1.05em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Paavo Berglund<\/h3>\n<p><span style=\"font-size: 1.15em;\">The English are very good at sight-reading, the problems come after that!<\/span><\/p>\n<p>Rehearsal of Rimsky-Korsakov, Overture to May Night, on 22\/1\/1996.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Stephen Kovacevich<\/h3>\n<ol>\n<li><span style=\"font-size: 1.15em;\">We will probably have a disaster anyway.<\/span><\/li>\n<li><span style=\"font-size: 1.15em;\">Let&#8217;s assume that will be together.<\/span><\/li>\n<\/ol>\n<p>Rehearsing Sibelius 4th Symphony, on 1 &amp; 2\/4\/1996.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Paavo Berglund<\/h3>\n<p><span style=\"font-size: 1.15em;\">The danger point is where you start playing.<\/span><\/p>\n<p>Rehearsing Haydn Symphony no. 92, on 14\/1\/1997.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Matthias Bamert<\/h3>\n<p><span style=\"font-size: 1.15em;\">I am not with you.<\/span><br \/>\nRehearsing Faur\u00e9&#8217;s Pell\u00e9as &amp; M\u00e9lisande, on 20\/1\/1997.\n<\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Simon Rattle<\/h3>\n<p><span style=\"font-size: 1.15em;\">I&#8217;m sick of this bit.<\/span><\/p>\n<p>Mahler Symphony no. 7, off stage cow bells, after many performances in different venues, on 18\/5\/1998.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Paavo Jarvi<\/h3>\n<p><span style=\"font-size: 1.15em;\">Here there&#8217;s no point in being right.<\/span><\/p>\n<p>Rehearsing Stravinsky&#8217;s Petroushka, on 13\/11\/1998.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Sakari Oramo<\/h3>\n<p><span style=\"font-size: 1.15em;\">Tuba, this should sound like the breath of a cow.<\/span><\/p>\n<p>Rehearsing Stravinsky&#8217;s Divertimento, The Fairy&#8217;s Kiss, on 24\/1\/2000.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Nicholas McGegan<\/h3>\n<p><span style=\"font-size: 1.15em;\">Like midges on the Isle of Skye in summer.<\/span><\/p>\n<p>Speaking to the violins near the beginning of Mendelssohn&#8217;s Overture, Midsummer Night&#8217;s Dream, on 3\/2\/2002.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Simon Rattle<\/h3>\n<p><span style=\"font-size: 1.15em;\">We just need to get the notes right.<\/span><\/p>\n<p>Ravel&#8217;s Daphnis et Chlo\u00e9 near rehearsal figure 208 &#8211; lots of notes flying!<br \/>\nRediscovered on my bassoon part in my handwriting<\/p>\n<\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">George Hurst<\/h3>\n<p><span style=\"font-size: 1.15em;\">An ocean of sound where we drown in our own collective ignorance.<\/span><\/p>\n<p>Rediscovered in my part for Dvorak violin concerto, date unknown.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">John Wilson<\/h3>\n<p><span style=\"font-size: 1.15em;\">I want this to be the musical equivalent of taking a perfumed bath while having a cocktail.<\/span><\/p>\n<p>Said to the violins while rehearsing a Gershwin programme, on 23\/1\/2009.\n<\/p><\/div>\n<hr style=\"width: 50%;\" \/>\n<div style=\"padding: 1em; font-size: 1.1em; line-height: 150%;\">\n<h3 style=\"text-align:left\">Andris Nelsons<\/h3>\n<p><span style=\"font-size: 1.15em;\">Like an asphalting machine.<\/span><\/p>\n<p>Said to the cellos and basses while rehearsing the 2nd movement of Beethoven&#8217;s 3rd symphony, on 14\/2\/2011.\n<\/p><\/div>\n<div style=\"text-align: center;\"><em>If anyone mentioned in this page would prefer not to be in it, please send me an email and I will remove the offending piece.<\/em><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Quotes from Conductors in CBSO rehearsals Paavo Berglund The English are very good at sight-reading, the problems come after that! Rehearsal of Rimsky-Korsakov, Overture to May Night, on 22\/1\/1996. Stephen Kovacevich We will probably have a disaster anyway. Let&#8217;s assume <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/johnschroder.co.uk\/js\/conductor-quotes\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-302","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/pages\/302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/comments?post=302"}],"version-history":[{"count":27,"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/pages\/302\/revisions"}],"predecessor-version":[{"id":866,"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/pages\/302\/revisions\/866"}],"wp:attachment":[{"href":"https:\/\/johnschroder.co.uk\/js\/wp-json\/wp\/v2\/media?parent=302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}